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Now that it’s summer, wouldn’t it be great to build a sand castle? Don’t want to get gritty? Build a castle in your journal instead, with ink and a stencil. Use it as a background, or work it into a … Continue reading
This gallery contains 3 photos.
Now that it’s summer, wouldn’t it be great to build a sand castle? Don’t want to get gritty? Build a castle in your journal instead, with ink and a stencil. Use it as a background, or work it into a … Continue reading
I’ve never been a morning person, but my cat doesn’t care. Injured in a fight last year, he’s up pre-dawn, begging to patrol the perimeter of our yard–he won’t stray beyond the fence. This time of year, pre-dawn means 4:15 a.m. or so, and in order to let my husband get some sleep, I get up, feed the cats, watch the sky tuck night behind the horizon, and head out for my walk.
Life is not always filled with fun, eagerness and joy. Sometimes you have to do work you wish you could palm off on someone else. Sometimes you feel run down and have to wind yourself up. Sometimes you have to attend to duty, suck it up, and stop whining. I live in a land of extremes–extreme drought, extreme heat, extreme beauty, extreme poverty, and extreme laws. There is little middle ground here.
So this morning, when I saw the sun come up, I just let it feel good. I didn’t think about what was hard in my life, I didn’t think about how much I have to do, I didn’t think about obligations, or money, or responsibility, or the future. I just watched the sun come up.
The sun came up far North of East. It pushed fingers of light into the sky first. It struggled with the clouds, lighting them from behind, then burning through them. I thought of many metaphors of light and darkness, of sunrise and a fresh day. And then let them go. Sometimes a good sunrise is all you need.
–Quinn McDonald is a writer, artist, and certified creativity coach. Her book, Raw Art Journaling, is being shipped to stores right now.
Posted in Nature, Inside and Out, The Writing Life
Tagged learning from nature, Phoenix summer, Postaday2011, summer, sunrise
On the way to making my own book trailer and tutorial videos, I stumbled. I had an easy video camera (iPhone 4 has an HD camera), but when I tried to speak and do the video at the same time, … Continue reading
The guy looked like Grizzly Adams without the smile, but complete with suspenders and wild beard and hair. I worked in a very conservative company as the marketing writing manager, and he was a freelancer, hired for his creativity.

Sometimes creativiy discovers new worlds, sometimes creativity discovers empty galaxies. Photo credit: JimKSter
Getting to the point, I hated him. He delivered nothing on time and made fun of me for wanting to stick to a schedule. He told huge tales (none of them verifiable) of amazing deeds in the service of his country, impling shadowy connections to black helicopters and secret missions. He had scars to show, both physical and psychological. Frankly, to me, the scar looked like a Sunday morning bagel cut. He insisted it was from hand-to-hand combat is a dangerous country where even the air was deadly.
He got a lot of attention for being “creative.” His bad behavior and poor social skills didn’t matter because he saved my boss from daily tedium. For my boss, relief balanced the havoc wreaked on every project he touched. My boss didn’t care that I had to re-write everything he handed in because it was not suitable for our clients. My working deep into the hours of the night was a small price for my boss to pay in exchange for bragging rights to claiming that the creative genius slept, as he claimed, on the floor with a knife under his pillow. War scars, you know.
My boss adored him and constantly suggested I was jealous of his creativity and resentful of his success. Maybe. They paid him a lot more than they paid me. In more than one case I said, “Please let me hire someone who is not quite as creative, not quite as brilliant, but a lot more reliable.” It never happened. No doubt he was smart, but he was also impossible to work with. He gave creativity a bad name. He’s long out of my life, but the incident reminded me: there is a dark side of creativity.
Creativity is often thought of as a light, cheerful gift. Not always. Mondo Guerra (Season 8 of Project Runway) nailed it when he publicly said “I feel like this gift and talent is a curse to me sometimes.” In a corporate setting, creativity can easily be considered a mental aberration by a supervisor. Soon the creative feels like an outcast. The process of coming up with something innovative is only creative when it generates ideas that are money-makers or practical. If it falls short, it’s just weird and different. Occasionally it’s also called Not playing nicely with others, a bad attitude or “not suitable for corporate vision leadership.”
Creativity has deep roots in unhappiness with the status quo. With willingness to go against the grain. With certainty of purpose. With the idea that the creative ideas are better than what exists now. That’s tough when your culture values individuality only if it fits in with what already exists. (Before you doubt that we are a culture that turns the different into outcasts, consider how we judge people of color, those with uncomfortable handicaps, those who don’t speak English well, those who are fat, or those who want to marry people of the same sex.)
Creativity has roots in “other-ness.” There’s a lot of responsibility attached to it. Creativity isn’t re-arranging the fruit plate, it’s overturning the apple cart. While risking reputation for an uncertain result, the creative has to explain how the result is useful and why the risk is worthwhile. And, of course, sometimes the creative is wrong, and the risk causes damage.
Creativity is absolutely how change comes into the world, but it is not the preternaturally cheery, holy, shamanic gift it’s painted to be. It has a dark, difficult, mean side, and that needs to be recognized, too. It’s not for everyone or every place. When you choose the light, you choose the dark. One does not exist without the other. In fact, it’s how we know it’s light. Because we know the dark as well.
–Quinn McDonald is a writer and creativity coach. Her book, Raw Art Journaling, will be out in July of 2011.
Photo credit: JimKSter through Creative Commons.
Writing a book is just the beginning. Then you market the book. A lot of this can be fun–a blog tour, giveaways, meeting new people. A lot of it is not so much fun–lots of rejection (again) from bookstores, editors, and places you think are perfect for events. After the writing was done, I felt I had completed something, come to a good place. But it’s just the beginning. In fact, every rest stop in the journey has a great view of the future. But the road to that future is another steep path.
I felt elated when I got a book contract, then terrified that I actually had to write the book. I felt elated when it was done, thinking I had stepped up a notch, but my rosy idea that book stores would welcome me, smile, and suggest a book signing was really way off. You have to struggle with book signings. It seems that book stores are busy doing not-signings, and you are a giant bother to them. As usual, it helps if you are already famous.
Which is where I ran into the snag. I subscribe to several marketing-idea blogs and newsletters, and last week was hit with several on the topic, “Marketing isn’t enough, you must turn yourself into a celebrity,” and “Unless you are a celebrity, your book isn’t moving.” Oh.
I am not sure what a celebrity is, and I’m pretty sure I don’t want to be a rock star, sweat-lodge emerging, champagne drinking, talk-show-tour celebrity. I’m a creativity coach, I run workshops. I’m happy doing that. Am I supposed to want a line of products, a TV show, people recognizing me on the street?
Actually, what I really want, if I had a magic wand, is my book reaching people who feel they are not enough, not good enough, not smart enough to be creative. Those who have journals with one or two pages filled up, and more pages torn out in disappointment. Those who want to journal but don’t feel complete enough to be themselves, even in a journal.
In my magic-wand world, I’d be celebrity enough if there were some people who pick up kits and do them so very well, and still feel empty read the book and realized that there is a life beyond kits. Beyond a project class that has you assemble a cute object and give it as a present. There is a satisfying life of sloppy experimentation and doing stuff that doesn’t work that makes you feel connected to creativity, to a bigger sense of yourself. In that life, making meaning is the point, and trying out ideas is exciting because you are learning about yourself and your ideas and how you connect to a huge web of ideas and, well, healing. Healing your own pain, growing into and beyond your own “not enough-ness,” connecting to another’s feeling of ‘not-enough’ and being OK with that, too.
I wrote the book for those people. People like me. People who yearn to have some sort of creative spark fanned into a flame. I want to share that joy, that incredible flood of gratitude that comes from creativity. The startling realization that an hour in a studio or workshop creates a life more satisfying than any “real housewife” has ever dreamed of. And you can have that life without wearing an underwire, pushup bra or stilettos or photographing yourself in your underwear and sending it to fans. I believe the pursuit of happiness is interesting and engaging and may be what happiness really is. That’s why I wrote the book. That’s why I teach. That’s my kind of celebrity.
–Quinn McDonald’s book, “Raw Art Jouraling: Making Meaning, Making Art,” is being shipped at this very moment, and will be available in July, 2011. It’s not too shabby that it has broken Amazon’s top 5 in Mixed Media, top 30 in Creativity and top 75 in Crafts and Hobbies. Maybe it’s a celebrity!
Posted in Raw Art Journaling, The Writing Life
Tagged book marketing, celebrity authors, mixed media, Postaday2011, success, writing
My journals are stuffed with notes and try-outs of products that work and those that don’t; products I like and those I don’t, even those that work just fine and I still am not eager to add them to my … Continue reading
When Michelle Ward asked if our color palette changed from winter to summer, it was a hard question to answer. When you live on the Sonoran desert floor, the tendency is to quiet down in the summer. When people in other parts of the country are running around outdoors, we desert dwellers are looking for every scrap of shade we can find. It was 111 degrees F today, and it will be 113 tomorrow. That’s just not running around weather. Talk to me again in last September and October when our temperatures are in the 80s and I’ll be perkier.
Back to Michelle’s question–do the colors you use in your artwork change? I wanted to check on something slightly different–color evolution. I’ve spent most of my adult life on the East Coast. The light is different, the culture is different, surely the colors I used in my art journal pages were different.
What I had forgotten is exactly how much those colors had changed. Let’s take a look. This is a drawing I did after my first visit–nothing wrong with pen and ink, but it is a bit spare.
In my East Coast days, I limited my drawing to a small area, and my hand lettering yearned for the traditional.
This drawing was made when I was already in Phoenix. It spreads across the page, but it’s still kind of restrictive.
The color doesn’t surprise me as much as the space use and technique. I sprayed ink randomly on the pages, then created a map. Much less control, much more randomness. Notice the title, “The world turned upside down,” is actually upside down.
Again, full spread in uncontrolled colors. Also cut paper, stitching, and writing in different directions. There is a line of words up the left third of the page that says “If you aren’t failing some of the time, you aren’t trying hard enough.” It’s written in silver sparkle ink–a color unknown to me on the East Coast.
I’ve always loved found poetry, and always used it. But I rarely spread it out across a page and used red so heavily. On the East Coast, I didn’t own red. It was a color I didn’t like. Here, well, it adds heat. The poem reads:
Your Choice
He does not know that he is in love with her.
His mind slammed tightly closed, a violent “no!”
His life suddenly seems unaccountably sabotaged.
“Never mind. It doesn’t matter.”
A woman in the kitchen, her eyes so blue.
She wanted to be out of the
quiet swiftness. That meant nothing.
Then, suddenly, like a hand passed over his face, his smile would come, transforming it.”
I knew I’d changed my color choices, but I didn’t know how much. It’s good to watch your own growth.
What’s changed in your life? Check out Michelle Ward’s Street Team Crusades and join the fun!
–Quinn McDonald is the author of Raw Art Journaling, almost ready to ship!
Posted in Journal Pages, Raw Art Journaling
Tagged color palette, crusade challenges, Michelle Ward, Postaday2011
This gallery contains 6 photos.
My favorite journal is gone from the shelves of Hobby Lobby. It was similar (but much less expensive) than the popular Moleskine 5 x 8 sketchbook. The generic came in a watercolor version–The Hobby Lobby generic brand–with a rubbery cover, … Continue reading
Hand-lettering is a personal way to use writing other than your regular handwriting to create design on a page. You don’t have to be a calligrapher to create hand lettering. The key is practice, and willingness to try something new.
Here’s one I tried recently: a scribble letter. Each side of the letter has three lines. They are unevenly spaced and not the same length. I like the random, impermanent look.
The straight-sided letters are easier than the rounded letters. I’m not satisfied with the B, S, C, and G yet. But that’s fine. That’s what practice is for. I’m trying a few techniques to develop those letters–writing faster, writing slower, going in between the first and second lines.
After I developed the alphabet and practiced a bit, I wrote down a sentence I thought of a few weeks ago.
When I had it written down, I filled in some of the spaces between the line with a Spica marker. I like the result. I find the saying matches the stark, uneven lines. The reality of the tough answer works with the rough lines.
Try your own ideas in hand lettering. It doesn’t have to be copperplate or italic, it can be what you want to do.
Note: I purchased the turquoise Spica pen used in this illustration.
–Quinn McDonald is the author of Raw Art Journaling, Making Meaning, Making Art. The book is about art journaling for those who don’t know how to draw. I wrote the book because everyone who longs to be creative is enough. Has enough.
This gallery contains 4 photos.
Cooking Man has never loved to eat fortune cookies, but he loves the fortunes. For the last several meals out, he has received uninspiring fortunes, so I decided to make him a fortune cookie with a special message. I didn’t … Continue reading