A few days ago, I started a review on Daniel Smith’s Watercolor Ground. I had to stop to allow the ground to thoroughly dry. Once the ground was dry, I wanted to put it through its paces.
First, using Daniel Smith watercolor sticks in yellow, red and blue, I painted a tag using the wet-on-dry method. Good color coverage and good color blending.
Next, I painted over the transparency. There was not any difference between the roughed-up section and the smooth section. Both of these were wet-in-wet techniques using Daniel Smith Prima-Tek colors–watercolors made from authentic mineral pigments. I loved the technique, and I loved the result.
Here is the watercolor ground on black paper. Again, I didn’t see much difference between the single coat and double coat of ground. I wanted a heavier saturation, even with wet-in-wet, so I loaded the brush with color. Again, good results, and the drydown still has enough contrast to make a good background.
Finally, you may remember the white fabric box I made last week. I painted the box with watercolor ground, waited until it was damp dry, sprayed it with distilled water and used the watercolor sticks and a brush to apply color. I wanted to see if I cold get a fresco effect–paint applied to wet plaster. I deliberately did not try blending, just applying color on wet ground. I like the clear colors and cloud effect, although I will continue to work on the box once it is dry.
I’m pleased with the results of watercolor ground on paper, fabric, and transparency. I like the feel, although I might sand some of the finish down if I wanted a smooth look. I think there is a lot of potential here, for mixed media artists and book artists alike.
FTC required disclosure: I purchased all materials from Daniel Smith or Arizona Art Supply. I was not compensated in any way for this review.