You know the feeling. You are working out an idea–on a book, a painting, a textile piece of creative work, and you begin to doubt yourself. “Who will ever think this is worthwhile?” you think. Maybe a friend or relative looks at your work and sighs. “Do you really think this is art?” they ask. And you begin to doubt yourself. Your work. Your life choices..
Most artists go through this, and many cave when faced with serious criticism or doubt. They move to something more acceptable. More popular. More understandable.
The artists who inspire me the most, who give me the biggest soul boost, are the ones who stick with their work and perfect it. They let the criticism and doubt stay with the person who feels it–while the artist sticks with the creative work.
Which is what I love about Tara Donovan. The art on this page is hers. She works in plastic straws, Styrofoam cups, and steel pins. She tended bar and waited tables for six years while working on her art. She heard people laugh and suggest “real” art work. Maybe event a “real” job. But she didn’t do that.
She graduated from the Corcoran School of Art in 1991, got a MFA from Virginia Commonwealth in 1999 and kept her day job till 2003, when she had her first solo show at the Ace Gallery. In 2008 she got a MacArthur Fellowship, often called a Genius Grant. And she still works with pins, straws and cups.
I find this dedication and constantly renewed creative energy incredibly inspiring. She knew what she wanted and she kept working at it. How many times do you think she heard jokes about tending bar and stealing straws? And she kept going.
It’s a good story to remember when you begin to question yourself.
See more of Tara’s work.