Ballpoint for Travel and Office

Maybe you don’t care what you write with–anything at all will do. Chewed wood pencil, give-away ballpoint. If you aren’t fussy, you probably always have a pen with you. I’m fussy.  Fountain pen? Perfect for note-taking and some sketching, but not always good on airplanes. (Yes, I have a ballpoint with a valve for air travel.)

Ballpoint? Reliable and easy. Except I’m not a gel pen fan, want a fine point that doesn’t skid across the page, can cross-hatch without creating a mess, and doesn’t glob and smear.

What I was looking for (this time; I am a pen hoarder collector.) What I really wanted was one pen that worked in the office, and can be tossed in my bag and travel with me. It needs to be light, dependable, easy to use and have refills. Because I am a collector, it also needs to be aesthetically pleasing and feel good while writing.

On Jetpens (an addictive site I will choose over Pinterest any day), I found a Midori ballpoint.

It has a brass cover, a stainless steel end that allows you to post the top of the pen, and a place for a keyring or a lanyard, if you like to wear your pen.

On the aesthetic side, the pen itself is wood, which will darken with age. It’s small, but light, which makes it comfortable to write with. And yes, it is refillable. The refill comes in fine (only, so far) and in black (only, so far.)

The clip holds it in my Travelers Notebook, so it doesn’t get lost in my bag, and the quality of both the pen and the ink is wonderful. No smearing, no globbing.

It’s an inexpensive pen ($19.90) with an inexpensive refill ($1.60). How does it write?

It puts down a smooth, even line and can be used for cross-hatching and tiny lettering. It’s a crisp ink and holds up well. You can see the sample that shows other pens and a pencil for comparison.

Are you a Travelers’ Notebook fan? So are millions of others. I’ll write about that in a separate post.

Quinn McDonald is a writer, writing program developer, and creativity coach

Neocolor II Backgrounds

Simple book. Monsoon Paper cover, neocolor II surface decoration on the inside pages. © Quinn McDonald 2017.

For years, I made books in acceptable ways. Cut the paper, fold it, carefully stitch it into the cover. There you are–a nice blank book. But I didn’t like blank books. And I wasn’t into slathering paint or color onto a page and then coming back and writing on it. But it was the “right” way to create a book.

So I stopped making books. In fact, I stopped doing any kind of art. It stopped being fun.

Recently, I’ve decided to just experiment. Play. I want to make a book that has poems in it that I like. Something to take with me on a trip to read if I wake up at 3 a.m. (You can read more about my dreaming the lives of others here.) Something that isn’t for anyone else, something that is easy to tuck in a carry on.  The cover paper (above) was a piece of Monsoon Paper. (A surface decoration technique I created about 10 years ago.)

What if I completed all the pages first, then chose the ones I liked best and bound those into a  book? No pages I didn’t like, none that didn’t work out. Much more freedom.

My first step was to create a background in the book, something with color. I decided to use neocolor II crayons, because acrylic paint, which is plastic, is hard to write on without special tools. I wanted something that didn’t stiffen the paper.

First, I scribbled some Neocolor II onto a vinyl file folder. It has a slight texture and is waterproof.

Next, I sprayed the surface of the folder with distilled water. (The water in Arizona contains a lot of minerals, and I didn’t want them to discolor the paper.)

Using Arches Text Wove (also called Arches Velin), a 100-percent cotton paper, I pressed it onto the wet surface. Without moving the paper, I rubbed the facing-up side with my hands. Then I slowly peeled the paper off the folder. The wetter areas blended, the dryer ones were more textural.

I printed another page with a slightly less spray, so it was dryer than the first. You can see the texture in parts of this page. I also dipped a brush in the yellow section and dragged it across the page.

Putting aside the wet sheets, I went for one more really dry print. The colors are all pale enough to write over, particularly if I choose to write in the places with less color. The first result was a bit granular, so I sprayed the paper directly with a bit more water.

The experimental pages are fun, don’t come with a big burden of perfection, and are pure self-expression, rather than bound by rules. If the book turns out, I’ll show you the completed project!

Quinn McDonald is an everyday creative who writes, creates collage, and is a certified creativity coach.

 

 

Fun with Neocolor II

Neocolor II come in various sizes: 10, 15, 30, and more. They come in a lovely tin.

Neocolor II is a wax crayon that is water soluble and can be used like watercolor or gouache. Because I am stuck creatively, I bought a set of Caran D’Ache Neocolor II to play with. Having no expectation of outcome helps build creative curiosity. Here’s how I experimented.

(No one asked me to write about Neocolors, and I am not getting paid to write this post. )

If you wonder what a creative drought looks like, you can read about it in the post called In Search of Lost Creativity.

First, in order to see how these colors work, I used them dry in a watercolor journal. Once I scribbled some dry crayon on the page, I used a brush dipped in water to blend and pull the color down.

Neocolors used on Yupo.

The colors are beautifully transparent and they do blend quite well. I could see these being used as travel paints without the mess.

Because I work with alcohol inks, I thought it might be interesting to try out Neocolors on Yupo, the plastic substrate so perfect for alcohol inks.

The results are really interesting.  Each color wets well and can be dragged. Blending colors works well, too. More water means lighter color. But you can add color in with a wet crayon as well.

The only drawback is that Yupo is a sealed surface, and the colors will smear and pick up, even days later. But if you frame a piece, the problem is solved.

Next, I ripped a piece of deli paper into a jagged, long piece.

I scribbled color along the edge, being careful not to smear it over the edge.

The colored edge is placed in a journal page. Using a damp makeup sponge, I brushed up, from the edge of the color onto the page, creating a landscape look. This has a lot of possibilities.

Please note that this is an experiment of a product, not a finished piece of art. Before I get serious about anything, I experiment. A lot. I encourage it to avoid disappointment and predicted failure.

The sky was made by dabbing the makeup sponge, which had been used to create the mountain range, across the sky. The dots appeared because the makeup sponge was thin and I applied a lot of finger pressure.

Neocolors are rich and apply easily. I’m still awkward with them, but I already know they are going to come with me on my next trip instead of a watercolor set. I can take a few and blend colors as needed.

I could see people using them in coloring books and to make cards. There is a lot of experimenting ahead!

Quinn McDonald is a writer and collage artist.

 

Stress and Fear Relief in Your Inbox

An example of the poem-by-email you’ll get. © Laurie Blackwell, 2017

Been stewing in fear and stress for a while? Scared to go online for fear of what you will find? Need some good news? My friend Laurie, who runs LoneBlackBird, is starting a month of daily mail that will relieve your stress and put a smile on your face. And yes, this is a giveaway post!

Laurie is a teacher who helps kids who have difficulty learning how to read. Now she’s helping anyone who wants to open their email anticipating good news.

Every day in April, Laurie is sending out a hand-drawn email with a short, encouraging poem from well-known and lesser-known writers. April is National Poetry Month, and Laurie wants to introduce people to poetry who have never thought about it, those who don’t know what to think about poetry, and those who love poetry.

There will be a link to the entire poem, or the poem in an anthology of similar poems. Best of all, you can print out the entire image.

What can you do with the printed piece?

These poems beg to be colored and put into your journal. © Laurie Blackwell, 2017.

Well, if you are among the huge group of coloring fans, you can print out the pieces, color them, and create a journal with them.

Or you can simply print them out and put them in your journal the way they are.

You can share them with your kids and have a real conversation about what the words mean, who the poet was (or is), and, if you are home schooling parent or teacher, use them as a prompt for poetry writing.

There is a perfectly good reason to open your email every day in April and know there is a smile waiting for you.  It’s an excellent way to anticipate the best every morning and be rewarded for it!

What a way to start your morning–coffee and coloring! © Laurie Blackwell, 2017

How to win a month worth of smiles: Laurie is giving away three free subscriptions to the poem-a-day for the month of April. All you have to do is leave a comment on this blog post and keep your fingers crossed.

Three winners will be drawn at random on Wednesday, April 5, after 6 p.m. in Phoenix and announced on Thursday’s blog.

You can also follow Laurie on Instagram and see what she is up to. She teaches online and in-person courses that are kind, gentle, and a welcome relief from our frenetic world.

Quinn McDonald is a poet and non-fiction writer who is delighted to support the positive poetry posting.

 

 

Notes on Survival (Poem)

Milkweed pod, Montana.

Milkweed pod, Montana. © Quinn McDonald, 2016. All rights reserved.

When my parents arrived in this country, they had been allowed to bring three crates of items. Those crates contained their entire life–for two adults and two children. Bedding, clothing, pots and pans, dishes, important papers, books, photos, toys. Three crates. Although I was born later, the impossibility of the decisions of what to pack stuck with me.

As a child, I played a game– what I would pack if I had to leave quickly and go to a new place? This poem is rooted in that memory.

 

 

Seed Pod: Notes for Survival
I left dawn behind, but took the last star in the sky
I left the sun behind, but took the ragged fringe of shade
I left the fragrant, blooming tree,
but stole the hanging seed and packed it.

The smooth seedpod holds the wisdom
of casting shade and woven nests,
Going back ten thousand years
Folded in its traveler’s shell.

Still willing, when it hits the ground
(at last)
To send out an exploratory root,
To test the ground for possible survival.
It has one chance to birth a branch
Fed by a dream of stars held in its crown
A filigree of shade laid on the ground
And then, to birth another seed to pack.
© Quinn McDonald, 2016. All rights reserved. No use without express written permission.

Alcohol Ink and Poetry

My artwork is becoming more and more about poetry. I’ve always loved words in art, probably the best reason I love making collage.

For a project in my poetic medicine certification, I am exploring the idea of silence, and how we use it to communicate, to heal, to express our deepest pain.  I created a dozen alcohol-ink abstract landscapes, and printed phrases of my classmates poetry onto the landscapes. The snippets combine to form a poem of their own, about the power of silence.Samples are below, but not in order.

Four project cards on my work desk. My landscapes do seem to stay in Arizona's desert.

Next week, when we gather, I’m going to ask each person to read their poetry snippet, in an order I chose to create a new poem, with a dozen contributors.  I’m hoping they’ll not only cooperate, but be pleased with the visual combining with the spoken word.

This landscape is an image from my trip to Second Mesa, on the Hopi reservation, where the night sky is filled with stars.

This landscape is an image from my trip to Second Mesa, on the Hopi reservation, where the night sky is filled with stars.

I’m enjoying the break in serious study for this project. I hope it goes over well.

—Quinn McDonald is a writer, a writing trainer, and studying to become a poetic medicine practitioner.

Bubble Postcards

A few days ago, I saw pottery being decorated with bubbles. I’d done bubble paper when I was younger, and decided the holiday weekend was a good time to play with bubbles.

First, I found my black India ink and the gold ink for a bit of shimmer.

ink1Then I put a small squirt of dishsoap into the recycled foaming container, added water and ink. Just a bit of water to move it up the siphon. The foam was dense, and the bubbles held their shape until there was just ink, but no bubbles on the paper.

ink2

The result was a blob of tight foam. I wiped them off with a brush. Interesting effect. Not what I had in mind, but it will be fun to experiment with this part.

ink3Then I transferred the soap-water-ink mixture to a paper cup and put a straw into it. I blew and created big, loose bubbles. Just what I wanted.

But when I took the straw out of the cup, I knocked it over, spilling India ink-soap-water mix into my crotch and onto the floor. Time out to peel off pants, put them in the washer, clean the floor and generally mop up all the ink that wasn’t where it belonged.

ink4This experiment works best if you blow the bubbles till they rise up out of the cup, then carefully place the paper on top of it. For that reason, watercolor postcards work well. You can use cut pieces of watercolor paper, too.

ink5You can also use a palette knife to scoop the bubbles onto the paper. It’s a personal choice.  What am I going to do with them? Probably use them for my Stow-Away-Poetry postcards. Or color them in. I’ll let you know. If you have a suggestion, let me know in the comments!

Quinn McDonald is hoping India ink comes out of linen pants.