Dreams are important. They are more than just random processing of the day’s events. Sure, some parts of dreams are recycled parts of experience. But dreams are also our very personal stories, given meaning by our deep personal connections.
In a dream, we recognize the yellow tricycle we passed on the sidewalk earlier in the day. That doesn’t strip it of meaning. To wrangle meaning out of dreams, we have to sit with the ideas our dreams give us and untangle the complicated links to ourselves.
Put down the book that “explains” dream images. You create the message and you can understand it. It’s yours to explore for meaning. A few nights ago I had a dream about a toaster cozy. Unlikely, yes. At first.
A handmade toaster cozy, sadly no longer available on Etsy.
The Dream I was in a class of women, and we were all making kitchen-appliance cozies. You may remember those–covers for toasters, blenders, coffee grinders. Cozies were very popular in the 1950s and early 60s. I think the purpose was to unify the look of the kitchen, although it’s possible women wanted to “hide” the machines that did the work for them while they wore pearls and shirtwaist dresses. There was a lot of conflict in housewives’ minds about having “women’s work” made easier. It was more noble to do everything by hand, but a lot faster to use a machine to help.
In my dream, I was in a sewing class, learning to make a toaster cozy. The other women in the class were making their cozies really fast, sewing machines humming. Most of the cozies in my dream were crayon-colored prints, with contrasting piping. (In my waking life I’m not attracted to crayon-colored prints and piping.) Some women were quilting theirs in traditional quilting patterns.
My toaster model was a vintage, rounded, 2-slicer with the big bakelite black handle. The instructor kept stopping by, fretting. I was making a cozy out of Tyvek, the material FedEx envelopes are made from, and was adding a stuffed sculpture on top. The instructor was worried, and said, “This isn’t really the shape everyone is working with.” I nodded, but kept working.
The instructor, who in my dream was a home ec teacher, asked to see it on the toaster, but I shook my head. I didn’t speak, just kept working. Finally, when other women were putting their neat, tidy, perfectly sewn toaster cozies over their toasters, I put mine on the toaster–it used the toaster as a base, and the whole cozy was about two feet high.
On the top of the cozy was a tiger, rearing up on two hind feet, claws out, snarling. The teacher was horrified and asked me why I did that. I said, “Because I needed to.”
The interpretation: Here is what I knew but didn’t say to the teacher–the toaster was fear and the cozy was anger, a reaction to fear. I was covering fear with a show of anger. Tyvek can’t be torn or ripped. It would stand up to a lot of angry treatment.
Showing strength and anger keeps people from seeing we are just a toaster. Because being a toaster is not enough, in our heads. And yet, we buy toasters just for that ability–to toast bread.
The question: What cozy do you put on to appear to be something else? What are you hiding from the world?
Quinn McDonald is the author of Raw Art Journaling. She has a strange attraction to Tyvek.