Note: The three people who won the random drawing for Dina’s book fromare Shannon Ganshorn, Annettte Geistfeld, and Ann M. Philli. Congratulations to all of you!
Dina Wakley’s book is great. I could end the review there, but it wouldn’t tempt you enough to buy the book. And this is an art journaling book you should own, whether you are a beginner or an experienced art journaler.
I’ve taken classes from Dina, and I love her dedication to her art, her insistent encouraging to try new things or delight in familiar ones, and her easy way to bring out ideas and share them freely.
A few weeks ago, when I went to her book signing, I asked her just to sign the book (rather than sign it to me specifically) as I was planning on giving it away. But in the course of doing projects to review it, I got a bit enthusiastic, and splashed paint here and there and maybe dribbled a bit of gesso on the pages as well. So the giveaway book will be a fresh new one, but it won’t be here for about 10 days or so. If you are the winner, please be patient.
Details of Dina Wakley’s book: Journal Freedom: How to Journal Creativity with Color and Composition.
Publisher: North Light. Paperback, 128 pages long.
- Tools and Materials
- Symmetry and Asymmetry
- White Space, Continuance and Closure
- Dominance and Repetition
- Color Basics
- Contrast with Color
- Color as a Composition Tool
- The Power of Black and White
- Putting it All Together
On the table of contents page, there is a QR code that will take you to bonus content from Dina. A nice touch.
What I like about the book: It’s a real how-to, with basic creative art instruction. Many art journalers are self taught, and don’t want to go to school to learn color theory, the rule of thirds and other pedantic necessities. The genius in this book is that Dina teaches all the things you need to know to create beautifully composed pages by doing exercises that are fun and manageable.
She keeps the tone light and fun, and takes you along in a logical pattern that makes you want to learn. Her signature silhouettes are there, and in addition to seeing several ways to use silhouettes cut from magazines, you learn placement and balance.
I mean this next statement in the best possible way: Dina’s book is all hers. She doesn’t aggregate the work of 20 people, she teaches what she knows. I find it refreshing. Yes, it is nice to see different interpretations of an idea, but in this book having just one artist explain composition and color through her own work is a really good idea. It keeps lessons simple and allow the reader to try out personal ideas without having too many examples to choose from.
What I didn’t like: I kept a list and when I was done, I squinted at it to see if it was my preference, or an objective critique. The things I would have done differently would have made the book not Dina’s. So I am going to be happy that Dina’s fingerprints (colorful ones!) make the book what it is. I’m glad I spilled gesso on it and get to keep it.
This is more than a reference book, this is an enjoyable project and reference book.
Giveaway: If you want to win the book, leave a comment. I’ll be giving it away on Saturday morning, so you have time. And yes, partly that’s a stall to wait for the ordered book to arrive. The rest of it is that I am up to my armpits in paperwork this week.
—Quinn McDonald loves seeing books with so much heart and soul of the artist on every page.