Experimenting with my Gelli-Plate, I discovered two new ways (well, at least to me) to use this monoprinting technique. As a collage artist, I always need interesting papers, in every color or texture I can imagine.
One of my favorite techniques is to cut out shapes (heavy paper or overhead projector film) and use them as masks (to block paint printing) or as a stencil (to create a pattern with the paint.
The resulting pieces pick up paint and become quite interesting in themselves. After they have served as masks or stencils several times, they can be used as collage elements.
Another technique is to prepare the plate with a background, lay the elements on the plate, and photograph the plate before you print.
This gives you an image to print that looks quite different from the print itself, but can also give you more detail and color. You can then choose to create the collage by gluing the elements down over the printed piece or add color with a brush.
This also works for fabric–chose a fabric background, then attach the paper pieces on top of the background using fusible webbing.
The final experiment was to enhance a ghost print. Once the first print is lifted, remove all the masks from the plate. Then lay another piece of paper (in this case a piece of multi-media paper) over the plate and use a brayer to roll over the monoprint plate to pick up a ghost image of the paint the masks had protected. The plant and sun are clear, but the background picked up only partially.
I used Tombow Dual Brush markers to enhance some of the color. These markers are watercolors, so let the paper dry first. After the color is put down, I used a brush dipped in water to blend colors and create an abstract landscape.
On Tuesday, April 1, I’ll be demoing these techniques at the monthly meeting of the Scottsdale Art League. We’re going to have a busy night because I’m going to do an Inner Hero exercise, and everyone will leave with a hand-made Inner Hero Postcard. And two lucky people will win the prizes: a copy of the Inner Hero Art Journal and a Gelli plate donated by Arizona Art Supply.
Upcoming classes using Gelli-Plate techniques: I’ll also be teaching Gelli-Plate techniques on April 26-27 at the Minneapolis Center for Book Arts and the week of June 2 at the Madeline Island School of Arts, where you will make a whole book of different art and writing techniques. Come join me in exploring!
—-Quinn McDonald is typing this with paint-colored fingers, and an ink-stained heart.